Left, Heather Cook, Untitled 50, 2009, JPEG, 200 DPI, 1832 x 2627 pixels. From the exhibition Filling Subtraction with Light & Wire, July 3 - August 7, 2009. Right, Steven Parrino, Skeletal Implosion #4, 2001, Enamel paint and gesso on canvas, 214 cm diameter. Via. See more. See the work in his 2007 exhibition at Gagosian Gallery.
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From L&W press release:
Cook makes a piece every year with a similar composition and material as a part of an ongoing series. The piece is created by folding and bleaching a piece of jersey material, in which the bleach records an image of the form and the process of its making onto the fabric. Cook has taken a single digital image of this artwork, and has derived a series of 50 digitally altered images, constituting a new project for view only on the web. This project reiterates the themes in her physical works, such as investigating materiality, negation and repetition through form online.
I just convinced Travis that it’s Thursday.
i like the dowel chair
found this old cobweb floating in my Lightroom Library.
JTrav’s bag series got picked up by Nerve. (via Stebbi)
If that car had hit you, you wouldn’t be fishing tomorrow… or ever. You could have been killed.
- (via commonwealth°)
